The eyes were darker than usual coloured in sumptuous, velvety shades. The idea was to create a smoky, warm and smudged look that wasn't too heavy on the lid or structured.
Gold Trench shadow was swept all over, and then a new Autumn/Winter shade called Dark Sable was applied to the socket. On the lid, Wendy mixed Midnight Brown and another new A/W hue called Mulberry. The shadows were blended well to look a bit worn in. Lastly, one coat of mascara in black was applied lightly and brows were just brushed and groomed.